Volcano Calculator NOW


Volcano Calculator NOW

Volcano Calculator, my power trio of the heavy metal variety, is doing stuff, for reals! We finished the recording we’ve been working on and played two shows so far, with another couple shows scheduled for this summer. Response has been super encouraging, with reviews already pouring in and radio airplay here and there all around the world! Our 6-song self-titled debut recording is now available at Bandcamp, iTunes, CDBaby, Spotify, etcetera. I wanted to make this music, and now it has become reality!

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^ Volcano Calculator album cover ^
IMG_7092_cropped_photoByIainMcLaren
^ Volcano Calculator at The Grindhouse Cafe photo by Iain McLaren ^
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^ Volcano Calculator at The Grindhouse Cafe photo by Jerome Flynn ^
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^ playing the intro to “Take A Look” by Volcano Calculator ^

During these two shows, we had the chance to share the stage with a few really cool musical artists, including Black Castle Banshee, Bleak Valley, Gizbah (a.k.a. Iain McLaren of Euphoria Emporium and Sadistic Humor fame), Liz Brown and Padova (formerly known as Chernobyl). Here are a few photos from these events:

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^ Bleak Valley performing at The Grindhouse Cafe ^
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^ crowd enjoying Black Castle Banshee at The Grindhouse Cafe ^
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^ Gizbah performing at The Grindhouse Cafe ^
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^ Padova performing at The Grindhouse Cafe ^
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^ Liz Brown performing at The Grindhouse Cafe ^

Next week we’re playing a show with Lost Nebula, a band from Mexico who’s currently on tour!


End of report.

-SL

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Win A Few…


Win A Few…

It’s been awhile since I’ve blogged here… interesting things have been happening for me lately… some big wins!

 


“Methane Ocean” Wins Award

Every year, the K.F.S. presents the Kamloops Independent Short Short Film Fest, and it inspired me once again to put on my filmmaker hat! My friend Iain McLaren (a.k.a. Gizbah) sometimes sends me random musical recordings through text, and this one jazzy organ solo in particular caught my attention as soon as I heard it. It was called “Methane Ocean,” which immediately inspired an entire sequence of events (relating to Saturn’s moon) in my mind when it came time to consider film ideas. I wrote the story in one sitting and pretty much conformed to it right up to the final product.

Making the music video for “Methane Ocean” was a fun and easy adventure. I discovered that a certain style of “animation” (basically moving raster images across the screen) is actually more achievable than I’d previously thought. When the first draft was rendered, I had very few changes to make, which is rare; usually the last 1% towards the finish line is the most time consuming. After the video was completed, I asked Iain what inspired the title and, sure enough, he also had Titan in mind.

Oh, and my teddy bear (which I’ve had since I was probably 2 or 3) finally got the chance to star in a music video!

MethaneOcean-MusicByGizbah-VideoBySeanLuciw_ScreenShot
^ screenshot from “Methane Ocean” music video ^

So, I submitted the video to the festival via USB stick, hoping that I hadn’t copied the wrong file (even though I double checked) or made any other fatal dumb errors, and waited for the big day when all the videos get shown to the audience in the old Paramount Theatre downtown. Whenever one of my creations reaches the minds of an audience, the creation is transformed; hearing strangers react to my film is always super rewarding for me. Of course, it’s really fun to watch the other videos as well.

So, yesterday was the big day (it was also Pekoe’s 13th birthday – that’s about 68 in cat years). There were over 20 entries this year, more than ever before. Some really funny moments, some really great shots and good ideas. And then, guess what?! “Methane Ocean” won an award for 2nd place! This is my second literal actual physical trophy – the first was for academic achievement in Grade 7.

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^ “Methane Ocean” trophy ^

What a nice surprise! I didn’t expect to win, of course. But I’m not complaining.

Here’s a link to the video on YouTube if you’d like to watch it:

https://www.youtube.com/watch?v=Uy8twBeikNM

 


Lex Plexus in the Charts

I released an album of spacey electronica on Oct. 31, 2017. It’s been doing well on the college radio charts, which is sort of unusual for me (that’s okay, I love what I do). For the first time ever in my 30+ years of being a musician, an album of mine has broken into the National Top 10, on Jan. 30 of this year!

Screen Shot 2018-01-31 at 8.47.06 PM
^ Lex Plexus, taking one for the team! ^

Now it’s climbed even higher! “Stellar Trip” by Lex Plexus is currently #5 on Earshot Online’s National Electronica chart. Booyah! Thanks to all the campus and community radio stations such as The X, CJSR and CFUV for supporting independent music!

hipstamaticphoto-524560242.408484
^ front album cover for “Stellar Trip” by Lex Plexus ^

 


Volcano Calculator Is Building Strength

My heavy metal power trio has been moving forward with recording, writing and rehearsal… Nick’s drum tracks have added so much life to the sound recording, and Kyle’s bass is sounding super growly. Right now we’re in the midst of shaping performance for the song “Win A Few” and then I need to finish writing Song 6, “High Speed Bitch” which is, of course, a song about vehicle-pedestrian collision. We expect to be ready to play live by June, with a 6-song recording also ready for listening.

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^ Volcano Calculator, metal power trio ^

 


End of report.

-SL

Starman Month, Stellar Trip soon


Starman Month, Stellar Trip soon…

Wow! I’ve just learned that October is International Starman Month – this coincides fortuitously with my upcoming Lex Plexus album “Stellar Trip” – BOOYAH!

hipstamaticphoto-524560242.408484
^ front album cover for “Stellar Trip” by Lex Plexus ^

As you may already know, David Bowie has a song called “Starman.” The first time I heard it was a few months ago while I was half asleep watching “The Martian” starring Matt Damon. My eyes were closed but my ears were wide awake. The song was exhilarating in all of its glorious spacey detail! Have you ever noticed that music sounds way better when some of the other senses are turned down?

I hope my new Lex Plexus album (electronic) has the chance to enjoy some hungry ears out there somewhere. Somewhere on Earth, of course. Honestly, I would love for my music to leave Earth someday. There is actually somewhat of a space theme to the music. Here is what the back cover will look like:

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^ back album cover for “Stellar Trip” by Lex Plexus ^

 

Stay tuned for more info & links.

Have a happy International Starman Month!

 


 

End of report.

SL

 

 

Arduino!!!


Arduino!!!

On Feb. 6, 2017, I ordered my Genuino Starter Kit online. Eight days later, it arrived! All the way from Hungary, in fact.

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^ all the way from Budapest! ^

Fancy! Stoked.

I’ve done some programming in the past, including an app “Accelerando Metronomo” for iOS and some PC stuff, but Arduino is different because it’s more in the physical realm, with resistors and wires and whatnot! The starter kit come with a bunch of that stuff, and an instruction book full of projects. Of course, I’ve been putting my own twist on things. Going solely by the book would be sad.

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^ Arduino starter kit ^

It’s turned out to be addictive already, as I expected. Each project is usually centered around learning how to implement some new concept or element, like arrays or timers, etc. One my first creations was this one-button piezo synthesizer with pot-controlled pitch:

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^ Button_Pot_Piezo_Sean_1.ino, in the flesh ^

I video-recorded a few of these projects in action. The first one, uploaded Feb. 25, is my spin on the light theremin project: I made the brightness affect the length of each note as well as its pitch. The torch on the phone’s videocamera is controlling the sound:

I also made a simple metronome with a Tap Tempo function. My Tap Tempo in this one is smarter than some other Tap Tempo circuits; after a period of no-tapping idle time equal to four times the latest tap interval, it assumes the user is finished tapping and wants to use the result, and it also becomes ready for a new set of Tap Tempo information. This avoids some of the problems with typical Tap Tempo algorithms, such as a long wait being misinterpreted as a desire for a slow tempo.

The next video shows a “Call And Response” circuit in action. It collects light-brightness data from the solar cell for a few seconds, and then responds by retransmitting that same brightness data as sound, with brighter light creating higher-pitched sounds, while darkness is lower. The process repeats, allowing a new “light” performance and “sound” imitation. The project features a “loop” option which repeats the sound result indefinitely instead of returning to light-collecting mode.

The next video, uploaded yesterday, is able to calculate the necessary ratios and apply them to pitch in order to create an Equal Temperament scale, which means dividing an octave into any number of equal divisions (from 1 all the way up to 100, in my program). The standard Chromatic Scale, which makes up the most familiar music theory, is 12 divisions to the octave. Other examples: 6 divisions is the same as the Whole-Tone scale, 4 divisions is a Diminished 7th chord, 3 divisions is the augmented chord, 2 divisions is the Tritone, and 1 division makes the Octave itself. Twenty-four divisions is the Quarter-Tone Scale. Any other choice divisions-per-octave (5, 7, 8, 9, 10, 11, 13, 22, 31, 100, etc.) starts to sound pretty alien, or out-of-tune, compared to the usual. The program plays notes from the scale in random order. I made several of the parameters user-adjustible: Steps-Per-Octave (1-100), Number-of-Octaves range (1-10), Chance-for-Silence (percentage, 0-100), Length-of-Note (millisec, 50-1000 or random),  Quantize (portion of longest note, including 1/4, 1/8, etc.) and Start/Stop. I used a base “root” frequency of 54 Hz, because it’s a few octaves lower than 432 Hz. I ran the output through a guitar amp with echo & reverb. New learning items include “interrupts” and “arrays”.

Photo 2017-03-22, 10 26 31 PM
^ new hardware, just in time for Equal Temperament ^
Photo 2017-03-22, 10 27 26 PM
^ some code and output from Equal Temperament ^

Maybe you noticed in the last video, a different breadboard. Trip to the electronics store, BOOYAH! I thought that buying better pushbuttons would solve the problem of buttons popping out of the breadboard, but it turns out that all breadboards are not created equal, and a new breadboard solved more than one problem. The one that came with the starter kit actually got destroyed when I was removing it from the mounting plate:

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^ casualty of progress ^

Next on the agenda (or soon)… use capacitors. Eventually: robots, guitar pedals, etc. I don’t know. Hardware version of Accelerating Metronome, of course.

 

 


End of report.

SL

Down The River (A Crossroads Story)


“Down The River (A Crossroads Story)”
by Sean Alexander Luciw

robertjohnsondowntheriver

‘Twas a chilly evening, dreary and ominous. Twiddling his digits inside the pockets of his old tweed jacket, Robert waited nervously at the prescribed location, standing beside his worn-out guitar case. “I wonder if he’ll show up. I’ll be damned if this ain’t some prank,” he mused. The teasing moon seemed to hover for an eternity above his fidgeting and doubt, until he finally saw the dusty plume approaching in the distance. Robert checked over his shoulder, this way and that, to see if he had any unwelcome audience. “Coast is clear,” he thought.

As the speeding car approached, a few more clouds seemed to gather around the moon, like some grey scarf. The looming headlamps possessed an unusually reddish hue. “Is that a Duesenberg? Well I’ll be… I guess this guy does mean business after all!” The imposing vehicle slowed to a casual halt beside where he stood. Little rolls of dust sauntered past the long dark red frame and faded. The engine purred like a savage beast ready to pounce. Robert peered at the blackened windows, waiting for his business dealer to emerge.

The window rolled down, barely an inch, and the deep voice asked, “Are you R. L. Johnson?”

“That’s me,” Robert replied somewhat nervously. He noticed that the voice sounded somewhat like a slowed-down phonograph record. This was starting to feel a little too real, but there was no turning back now. He took a deep breath to gather himself. Coming from a place of weakness is no way to do business.

The engine stopped and the suicide door opened. A tall man stepped out of the car, bringing a briefcase in his left hand. Robert noticed the shoes first, but the fancy pinstripe suit was equally impressive. “So, you’re ready to make a deal with me?” asked the tall man.

“That’s what I’m here for. My guitar’s right here,” he answered as he thudded the grungy old case.

“And you understand the price?”

“My soul is no big price to pay. I won’t be using it when I’m dead.”

The devil laughed as he opened the briefcase, “Let’s get on with it, then.” He pulled out the contract and began reading. “Under witness of eternal universal forces, this contract does bind the undersigned Robert Leroy Johnson to the following agreement with the Dark Lord Satan…”

“Wait!” Robert interjected. His mind was starting to panic. “Maybe this isn’t such a good idea. Maybe I can do this without your help.”

“Hah! Robert. Leroy, my dear boy – let me straight with you. I am fully familiar with the legendary awfulness that’s been squeaking out of that guitar of yours. At your current rate of progress, you’ll be jamming in graveyards with your friends for an eternity before you ever start carrying a tune. How much more time do you want to waste? Please, stop mocking us all.”

Robert deflated. The devil was right. Robert wanted the blues. Hell, he wanted to be the blues. He wanted it so bad he could almost taste it. He was born for success and he knew it. The fame, the ladies… the music! The mere thought perked him up again.

“Music, sweet music,” the Devil uttered slowly, as if reading Robert’s mind. He put the briefcase, with the contract, back on the car seat. “Why don’t you pull out that guitar and we’ll get started.”

Robert excitedly put the case flat on its back and unlatched the lid. “I want to be the best,” he said. “I want to be the blues!” He shoved the guitar towards his abettor, still grasping. He looked the devil in the eye. “The ladies will swoon, you got me, devil?”

“A little demanding, are we?” Satan laughed and put his hand around the guitar neck. Robert surrendered the instrument and a faint thunderclap echoed in the distant mountains. The devil strummed the strings in a seemingly random fashion and expertly adjusted the tuning pegs, twisting the sound through some mysterious morphing until it settled into a sweet harmony.

“I want to be the best.”

“Indeed,” the devil responded as he kept strumming.

“I want to be remembered.”

“Oh, you will be. Now that you mention it, I could sweeten the deal if you like.”

“How’s that, devil?”

“Just imagine… all future blues guitarists expressing their gratitude and debt to the mighty blues legend, the one-and-only Robert Johnson. Your fame and influence could extend far into the future through all of them!” The devil grinned at the sight of Robert’s eyes lighting up. “We are talking about a sort of immortality here. Figuratively speaking, of course. But it will cost you.”

“Name the payment.”

“Ah, great. Great! There is a little clause I’ve been preparing, for just the right occasion. Now is the time, it seems.”

“Tell me!”

“The price is large,” the devil assured as he handed the finely-tuned instrument back to its owner. A wind began to howl.

“What? What! What is this damned price?”

“I would very much like to start a special collection – a poetically-themed sort of tradition which ought to unfold just beautifully over the coming ages,” the devil tells, wringing his hands ominously. “Let me retrieve the contract and it will all become clear.” He grabs the document from the car and pulls a quill from his jacket pocket.

Strumming his freshly enchanted guitar, Robert remarks at the tone, “Heavenly!”

Satan begins iterating the details of the contract, poking it with the pen as he speaks. “In exchange for aforementioned musical skills, fame, sex appeal, general embodiment of the blues and furthermore continued eternal relevance through the musical actions and words of future blues artists, Robert Leroy Johnson does hereby offer his own soul to the Dark Lord Satan…”

“This guitar really sounds great.”

Satan continued, “…and does also, by proxy, offer the souls of the following list of musicians, born and unborn both…”

“Whoah, what you say, devil?”

“…whose souls shall be each collected, through their death, during their 27th year of life.”

“Twenty-seven? What in tarnation?”

“I’m a numbers guy, what can I say?”

“Dammit, you devil!”

“Ahem. The list of names is as follows: Robert Leroy Johnson…”

“Stop! What? I have to die when I’m 27? You’re pulling my leg, you… you shyster,” Robert protested in sudden angst.

“I would never joke about something so serious. Do you want this, or don’t you?”

The entire midnight scene became deathly silent, and the few straggling clouds cleared away. Robert Leroy could feel the moon staring down at him. After a long moment of reflection, and with downward eyes, he answered, “Yes. Yes.”

“Good,” and Satan slowly continued to read his famous list… “Robert Leroy Johnson, Brian Jones, Alan Blind Owl Wilson, Jimi Hendrix, Janis Joplin, Jim Morrison, Ron Pigpen McKernan, Mia Zapata, Kurt Cobain, Kristen Pfaff, Amy Winehouse, Anton Yelchin…”

 


 

2016 – I Can’t Complain

 


2016 – I Can’t Complain…

I know, everybody’s complaining about how 2016 was the worst year ever. Apparently I’m an anomaly.

 


Celebrity Deaths

Last things first… Celebrity deaths. I never met any of these people. We all die eventually. I certainly respect and value the contributions of musicians, actors, etc. but I don’t feel or think that I personally “lost” David Bowie. I can still listen to his music. The Beatles are very close to the top of my list of favourite music ever to come from planet Earth and make an impression on my tiny little life, but George Martin’s passing did not leave a hole in my heart. His gift to the world will last forever, and death cannot take that away. People’s reactions seem selfish in a way… Prince gave us all this amazing music, and we have the nerve to complain that we now can’t have more? We each have only so much to give.

The deaths that truly affected me are those closer to home… my Mum died 7 years ago. Death can feel so unfair and confusing. No amount of wishing can bring someone back, but we have our memories to be thankful for – memories of the person and their influence upon us.

It’s not that I’m completely uncaring towards the deaths of celebrities specifically, or strangers more generally. I guess my caring is mostly mental rather than emotional. Yesterday was a turnaround moment for me in this regard. I suddenly joined the club of celebrity mourners when Carrie Fisher died. This is not only a mental sadness for me, it’s emotional. I feel like I knew here even though she never knew me. Strange, huh? It makes me wonder if there’s something inherently twisted about televised entertainment, the way there’s a one-way connection that happens.

I’m sure it’s simple but I can’t explain it and I guess I don’t want to. Explaining is brain stuff, crying is heart stuff. I’m surprised to feel so strongly about it. I guess I’m a big baby. I was 6 when Star Wars was brand new, and of course I was swept up by all of it – including Princess Leia! I guess I was always prone to looking up to powerful, beautiful women. Some images impress the heart and never go away. I never met Carrie Fisher so I can’t really justify it, but I’ve been close to tears almost ten times in the last day-and-a-half. I just figured it out: on some unconscious level, I felt like Princess Leia was my older girlfriend even though she wasn’t. Haha – I was only 6!

I’m a real tough guy, so I know that the heart is inferior to the brain. This world is a hallucination.

leia
^ Princess Leia ^

 


Ulusulu Music…

For twenty years now, I’ve been using my own little record label, Ulusulu Music, to organize my original musical creations and present them to anyone who might get to hear them. This might sound vain, but I love my music. And so I should. Why would I make music that I don’t even enjoy? That would truly be a waste.

I love being meticulous about the technical details of my music, at the same time keeping aesthetic concerns paramount. So my procedure includes fine-tooth combing on the headphones and fixing any tiny little detail that grates on my nerves. The end result is that Lex Plexus is sometimes the only thing I can listen to. No arrogance intended. New album scheduled for 2017. Space-themed.

2016 saw the release of several albums on Bandcamp:

  1. “Sleepcaster EP” by Lex Plexus & Nix Nihil – This is a 2-song collaboration. Nix applied some very interesting wordage to a Lex Plexus instrumental called “Sleep, Cerberus” which then received an aesthetic re-working and became rather dark and epic. The other song, vocal industrial drum-and-bass, is called “Path of the Lightning Caster.” High energy stuff.
  2. “Cloaking Fog EP” by Crushing Complex – Sometime in approximately 2014, Craig McKay and I started jamming some metal stuff for fun. Then Justin Perfilow joined and we started writing a bunch of awesome riffs, then added a bassist and a vocalist. It was decided this was turning into a Crushing Complex reunion. We managed to pump out this little 3-song smasher before we all kind of drifted our separate ways.
  3. “Drone Day 2016 DJ Mix” by Sean Luciw – May 28 was “Drone Day.” I was going to organize an event but was too disorganized as usual. Luckily, Lorelle from Barnacle Records was kind enough to organize a nice little celebratory event, so I showed up and spun a bunch of my Solfeggio music and some other ambient Lex Plexus stuff. Technology allowed me to capture the moment and make it available.
  4. “Turn Down The Quiet” by Skullfinger – This is my big ambitious rock album, five years in the making. For a guy with no fans, I sure like to make a big deal about nothing. Seriously though, I feel like I can kiss my own biceps on this one.
  5. “Holographic Sun (beep boop recorded live at Kamloops Art Gallery)” by Lex Plexus – I was invited to play at the opening for an art exhibit of Jerry Pethick, a pioneer in holography at the Kamloops Art Gallery in July. I offered to play down-to-earth acoustic music, but the curator indicated that my experimental side is more than welcome. No complaints here! So I gave my Ableton rig an overhaul and prepared some tweaky space music… Yes!
  6. “Phi Day The 13th (beep boop recorded live at Barnacle Records)” by Lex Plexus – A few weeks later, Barnacle Records had their 1st birthday celebration on August 13, and I was invited to play more beep-boop. So I did! The bass was gargantuan.I performed with my back to the record-shopping audience so they could see what I was doing. A strange feeling, not being able to see the audience. It reminded of this one time about 15 years ago when I played as Lex Plexus in the kitchen at a house party, and I also had my back turned. Except that time was by accident, I hadn’t really thought clearly about how to set up my equipment. Ahhh. It’s kinda fun being weird sometimes. When I was telling Rónan from Barnacle about how the date August 13 divides the entire (leap) year exactly in the proportion of the Golden Mean, he pointed out something amazing: that makes it “Phi Day The 13th.” I flipped my lid, of course. I know the rest of the world celebrates Phi Day on 6/18 for obvious reasons, but my way is better because Phi is a ratio.
  7. “Ancient Solfeggio Tones” by Sean Luciw – These were actually released six years ago, but I just put them up on Bandcamp a few weeks ago.

If it seems like I’m bragging, I’ll just point out that I don’t push many copies. Like almost zero. Go ahead and laugh. Here’s a link to Ulusulu Music’s bandcamp page. Some of my albums are free download, some are paid.

ulusulu_music

 


Volcano Calculator…

I started  a metal band this year called Volcano Calculator! Parameters: 8-string guitar , 5-string bass, drums – power trio. I write all the music and lyrics & sing. Lots of odd time signatures. Looking forward to gigging in the summer.

 


Gigging…

Thanks to the support of local businesses, thanks to the teamwork of some fine professionals I’ve been able to collaborate with, and thanks to me for doing my homework, I’ve had a very busy year of live musical performances in 2016 playing cover tunes. I even spun a few vinyls! Props out especially to Justin Bentley, Caitlin Goulet, KCBIA, Kamloops Burlesque, Central Station Pub Open Mic and Barnacle Records.

I also love teaching guitar, and my students are all great. Whoever said “those who can’t, teach” was an idiot. Teaching guitar has improved my musical knowledge, made me a better communicator and brought me the beautiful blessing of plentiful and diverse human interaction.

I’m living the dream over here. Fuck 9-to-5 slavery. Break the chains and live your dream!

 


Guitar Technique…

I’ve been playing guitar for a long time but fast picking has basically eluded me. I’ve learned a lot of different ways of doing things, a lot of good ways, but this year I made some extra good bits of progress thanks to Troy Grady’s videos.

 


Accelerando Metronomo R.I.P. …

A few years ago I designed an Accelerating Metronome for PC computer (still available on my website seanluciw.com) and then a few years later, after I became part of the Apple cult by purchasing an iPhone and a MacBook Pro, I used Xcode to design Accelerando Metronomo, the iOS version. As always, it was thrilling and encouraging to be able to create something and put it out there in the world.

Who’s a good boy! I am. I’m a good boy.

In the last four or five years, the app sold just barely enough to cover the cost of making it available. Less than I’d hoped, but still worthwhile. I didn’t do it for the money. I did it because this thing needed to exist, and because, once I realized that it was possible for me to do it, I couldn’t not do it.

Far more frustrating is the fact that Apple issues all these “updates” to iOS. Each update caused some new problem for my iPhone 4S, and some other new problem for the app I made. As the developer it’s my responsibility to ensure the app stays functioning and presentable. Along with iOS updates, Xcode also needs updating. There came a point where my computer could no longer run the required version of Xcode. I do not enjoy this race against obsolescence. I was raised (spoiled, apparently) by a world that built stuff to last. I (probably) can’t afford the money or frustration required to replace everything I own every year or so. Partly on principle, I refuse. It’s fucking bullshit. So, unfortunately I decided to remove Accelerando Metronomo from the App Store.

I’ve been investigating Arduino and it looks very interesting.

accelerandometronomoscreenshot
^ Accelerando Metronomo iOS app discontinued ^

 


Amba…

I was invited to contribute audio editing to a local independent film, “Amba,” written and directed by Anton Shilka. The theme was dark and subversive and the visuals trippy… I couldn’t resist! It was a pleasure. I’m happy with the results. Also featuring music by Lex Plexus and Plastic Owl.

 


Osmosis Unbeknownst…

Gary Faustman and I created this short film called “Osmosis Unbeknownst,” and entered it into this year’s Kamloops Interior Short Short Film Festival. It was fun to make… the script and shooting were all done in a day. The editing seemed to take forever but I’d do it all again. Acting was fun too.

 


Trump…

I could have a lot to say about this, but I want to maintain a beautiful mind so I’m going to try and keep it short. Since forever I’ve always bought into the idea that Canadians are less arrogant, less aggressive and less racist than Americans, but a couple of years ago I was disappointed when refugee-related news items were encouraging a lot of previously-hidden racism to bubble to the surface in the form of comments, etcetera, helping to smash some of my romantic notions about how great a place Canada is. Not to mention Harper’s tendency to destroy science and intellectuality, yada yada. I ignored Brexit but apparently it’s the same shit everywhere. Whatever happened to beautiful melting-pot inclusivity? Most people seem pretty cool in person.

So, when Trump won the election, yeah, I was like, this is a fucking embarrassment, what a clown show of a world we live in. Low quality, immature. However, my level of surprise was diminished by my prior disappointments. The world is fucked all of a sudden? Always was, probably is more like it. Some of us have just been lucky enough to live in a bubble, I guess. The bubble is being popped?

No. I refuse to let go of Utopian vision. It should be easy to create a beautiful world. Keep the love alive, people. Maybe Trump is pretending to be a jerk but he’s really going to fix everything. On purpose, or by accident. Wounds need air to heal. Humanity is wounded. We should be past a lot of this garbage. Standing Rock. Corporate influence. Some places are progressing. North America is looking like caveman territory. I’m going to stick my head in the sand and write music for awhile, and ignore the news.

 


Condolences…

I realize some of you really have had a crappy 2016, for various reasons. I don’t know what to say to make you feel better. A friend of mine, she always says, “This too shall pass.” It becomes more meaningful every time I have to think about it.

 


End of report.

SL

Daily Prompt “Year”

Record Shopping,  Prohibition


Record Shopping…

Buying records feels a little extravagant at this point, but there was a sale! Flying Lotus impressed me with one of his videos last year and I’ve been vaguely interested since then. I realize I could just use YouTube, but buying an LP is way more adventurous! I bought “You’re Dead” and, although I expected it to be more synthetic and glitchy, I can’t say I’m disappointed. It’s a very classy, jazzy, organic sound indeed. I predict many repeat listens, but time will tell.

img_0356
^ Flying Lotus LP ^

Apparently, Warp Records is my cup of tea. Now that I think if it, this record seems a little out-of-place on Warp. Maybe his earlier stuff is glitchier. Maybe I should send some Lex Plexus to Warp, maybe get a record deal or whatever.

I also found a used Mr. Oizo CD! What a treasure that is. I immediately noticed a similarity to Justice (who have a new one coming out, coincidentally) and Google showed me that I’m not the only one to notice the sameness.

Afterward I found a Sigue Sigue Sputnik record for only $5 – a fairly low-risk adventure. When I saw that Giorgio Moroder produced the record, I figured it’d be quality and educational. Oh, well. It was only $5.


Prohibition…

They were out of O’Doul’s at the Shark Club the other day so I ordered the Bud equivalent, “Prohibition.” Interestingly, there also exists a “Prohibition Ale” which does contain alcohol. So I took a sip and instantly noticed… Whoops! First sip of booze in over 5 years. Mildly alarming. Traded for the near-beer. I still enjoy the taste of beer – there’s some sort of sentimental throwback for me there.


End of report.

SL

Lex Plexus: Phi Day The 13th


Lex Plexus: Phi Day The 13th…

Last Saturday was the 1st Birthday of Barnacle Records, and it was a great opportunity for my most famous alter-ego to hit the stage… Lex Plexus in effect! Equipped with some pretty skookum Ableton Live Sets of my own creation, plus my nifty 16-knob Launch Control (a.k.a. Tweaky McTweakerson), I was able to wizard up some pretty funky weird stuff – good times, improv style. The subwoofer was cranked and the walls were shaking. I’ve wanted to make music like this since a long time ago – about 13 years ago, I did some improvised loop-based stuff at a few parties and this new stuff is a similar vibe but more abstract. Psychedelic!

After the event, I recalled from prior investigation that multiplying the Golden Ratio by the number of days in a year establishes a point in the year which I would call the Golden Day or Phi Day. Since 2016 is a leap year, 366 days multiplied by 0.618033988 gives 226. The 226th day of this year is August 13! On non-leap years, Phi Day is on the 14th instead of the 13th.

If someone tries to trick you into believing that 6/18 (June 18) is Phi Day… well, now you know how to set them straight.

It just so happens that I also recorded my live set that day.  The album is called “Phi Day The 13th (beep boop recorded live at Barnacle Records)” and I decided to put it up on Bandcamp so you can all enjoy it! Free download.

LexPlexus_PhiDayThe13th_738x738
^ Lex Plexus album cover ^

P.S. A few weeks back Lex Plexus did a similar live performance at the Kamloops Art Gallery, and the recording for that is coming down the pipe as well.


End of report.

SL